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Red

By Iain Blair

When I talk to DPs they all seem most excited about the new Red One 4K camera – directors too. Clooney and Soderbergh are big fans. One of the first films to be shot on Red One is the –appropriately named – “The Red Canvas,” lensed by hot DP Aaron Platt. He shot it using two Red Ones last fall and told me he was “very impressed” with the images he got and also just how much he could do in the DI. “It’s pretty amazing as you can take a scene and then give it a whole different look and feel in the DI.” For Platt, who was born and raised in the backwoods of northern California and who was obsessed with low budget horror films and early skateboarding videos in high school, “it’s an incredible camera – I just see more and more people using it now.”

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